born 1990 in Hunan, China, based in Berlin and Beijing.
I grew up in a period of rapid social and economic development in China emphasized with cultural fusion and digitalization. I was deeply influenced by cinema, music, comics and literature.
Guided by my own experiences and the journeys made between the East and the West, my works deal with questions of identity and cultural clashes associated with them, in transhistorical and transnational contexts. With these works I probe into the veiled historical and cultural convictions, conflicts and contradictions, individual and community, self-experience and mentalities behind human behaviour.
The dominant medium of my artistic practice is photography that engages in peculiar analogue photography printing techniques. For me, photography is like slices extracted from a complete story, of which I tell my account through an unconventional technique I have developed during my studies. I allow the pixels to ripple, resulting in morphed images of the original content. Through the undulations of these new visual elements, the meaning of the photograph becomes blurred. This transformation has a two-fold significance to me; on one hand this is a mirroring my cognitive habitat and on the other, it is a welcoming entry point for the beholder to create similarly unique and personal interpretations.
For my latest project “New World”, I have traveled through the Balkan countries inspecting the sites of post-Soviet memorials since 2018. During these adventurous travel, alongside my artistic occupations, my nationality and identity have turned into an inseparable part of my work; and my thinking became clear: My thoughts on the issue of identity aren’t about taking offense at being mistaken for the wrong nationality, nor do I intend to accuse the prejudiced behaviour towards Asians in Europe. What interests me is, rather, what lies behind the necessity felt by many to quickly categorize one another as friend or foe through perceived identities: how we, as humans, are habitually under the influence of the ever-present political power dynamics as well as contemporary media; how we are constantly immersed in the vortex of stereotype and prejudice perhaps involuntarily; and how religions and rights’ groups can often not coexist due to a conflict of interest. If we could temporarily shed the conveniently preconceived notions as much as possible, and grow a more conscientious awareness of such circumstances, we may perhaps grasp a truer understanding of others’ lives and all the complexities, and go on to treat people merely as themselves. This seems especially relevant, given the precarious and turbulent times we are living through at present.
Diploma Course, Fine Art & Photography, Berlin University of Arts, Germany.
2009 - 2013
BFA, New Media Art, Beijing Film Academy, China.
A Future without a Past, Migrant Bird Space, Berlin, Germany Until Further Notice, Villa Heike, Berlin, Germany
Chinese Contemporary Art at Berlin Capital Club, Berlin Capital Club, Berlin, Germany
Modus Operandi, Museum für Fotografie Berlin, Berlin, Germany
Blind Spot, LEVANT ART, Shanghai, China
The Outside Wall of Contemporary Photography, UdK, Berlin, Germany
Knock Down The Duvet, Kronenboden, Berlin, Germany
Digital Image of Contemporary Chinese Young Artists, Lang Museum, Qingdao, China
Auf der Jagd nach dem Nierenstein, West Berlin, Berlin, Germany
The Structure of the Dimension: Fields of Contemporary Art, Kerry · HABITAT, Qin Huangdao, China
Iteration and Blending—The Fourth Beijing Film Academy New Media Art Triennial, Enjoy-Art Museum, Beijing, China
IBB-Preis für Photographie, Investitionsbank Berlin, Berlin, Germany
Imaginäre Portraits & Objekte, Köppe Contemporary, Berlin, Germany
SEEN BY #8, Museum für Fotografie Berlin, Berlin, Germany
2020 Studienabschluss-Stipendium des DAAD, Berlin, Germany
2018 New Media Art Triennial Academy Award, Beijing, China
2017 Honorable Mention, IBB-Preis für Photographie 2017, Berlin, Germany